Sister Night, Sister Moon

[cathschaffstump]

This time, the rejection was because the story was not dark enough for the anthology. The story worked for the editor until the ending, and I can buy that. I became antsy about getting it done, rather than letting the thing take some time and letting my subconscious puzzle it out, which is ALWAYS my best strategy. (Watch the Type A personality fight the inner artist. Go on! You know you want to!)

Again, encouraging words:

I am not going to accept this story because I don't think it quite fits with the darker tone of the other stories I am looking at... and that's the only reason that I am not going to accept it. If I were doing a different anthology I would just ask for a rewrite of the ending...

What have we learned, author buddies? Both the take home message for me with this rejection and with Delirium has been, "this is good, but it's not what we want." So...with careful work, we get the good work to the right person. Your market research, when you can do it, is essential.

Both Cat Scratch and Delirium still each have one. We're still a contender. :)

Catherine

Comments

[cathschaffstump.livejournal.com]

I know how hard that can be. A friend of mine, scieppan, has been going through a similar struggle.

On the one hand, it's great to get the attention, and you know you're on the right track. On the other hand, well, wouldn't you really rather have the good news?

Keep at it, though. Perserverance is key, yes?

Catherine

[david-bridger.livejournal.com]

Absolutely! I queried two heavy-hitter London agents by email* last night, within 24 hours of the last rejection. We have to keep pushing it out there.

*One immediate rejection and one request for a partial 12 hours later. Balance. Om. :)